How Tattoo + Makeup integrate, elegantly into a culture–made-up of primarily intellectuals and socialites—we, attendees are bound to discover, in Wooster Street’s exclusive setting. The inventors of design, mathematicians, musicians and courageous foregoers joined this night, to discuss and delight.
Art exhibited, during the social gathering, is and was David Kassan’s ‘Oil on Pastel’ work entitled “Up Against”. A very edgy, luminously hipster and magazine inspired work, almost a cartoonist, in the manner that he melts and merges figures, color and shapes, Kassan’s work suits a tattoo parlor filled with One Management models, managers and cohorts.
Secondly, Audrey Kawasaki’s female portraits on wood, depicted goddesses, like models kissing or looking beautiful, are decorated with floral wreaths and royal up-does. Cleavage gowns emphasizing bone- thin figurines, her work captures the eyes, tongues and invites dreamscapes. They arouse the model, inspire fine arts and encourage preservationists to implore, more.
Thirdly are Sylvia Ji’s acrylics on wood-bold representations, of bold, thick-structured legendary performer-muses. Red intermingled with black/ white stripes, fur or feather boas, hair accessories, and strong colored up does reminiscently portraits of the infamous Cher, Liza Minillee or Cleopatra of Egypt.
